We had a lovely event at the Italian Cultural Institute on Friday for the launch of Tra una vita e l'altra, with a warm welcome from Director Renate Sperandio. We had readings from Liz McManus, Seán Hardie, Federica Sgaggio, Afric McGlinchey and Nuala Ní Chonchúir. We missed our colleagues Catherine Dunne, Bill Wall and Valerie Bistany. Beautiful music was provided by Maestro Giuilio 'Julyo' d'Agostino on guitar and mandolin. There was wine and chats afterwards in the library of this gorgeous building on Fitzwilliam Square. Thanks to all who came along on the night, including Mia Gallagher, Noel Monahan, Dan Bolger, Adam Wyeth and Paula McGlinchey.
Friday the 19th February 2016 sees the Irish launch of Tra una vita e l’altra (Guanda, 2015) at the Italian Institute of Culture in Dublin. 6.30pm. The anthology is the Italian version of Lost Betweenpublished by New Island in 2015. ALL WELCOME! More details here.
Catherine Dunne and Nuala Ní Chonchúir will be on Arena on RTÉ Radio 1 tonight to discuss the Italo-Irish Literature Exchange English language anthology, Lost Between (New Island). Tune in here or listen to the podcast from tomorrow.
The Irish Times featured Catherine and Federica Sgaggio's forward to Lost Between yesterday. You can read it here.
There is an Italian language anthology, a companion volume, forthcoming in November from Guanda in Italy.
You are cordially invited to the launch of Lost Between: Writings on Displacement on Thursday the 16th of July at 6.30pm in the Irish Writers' Centre. A description of the anthology from the New Island website: 'Lost Between features a host of established and emerging writers from the immense literary landscapes of both Ireland and Italy. From a father and son emigrating from Famine-stricken Ireland in search of a better life, to a donor looking for meaning in a lost relationship with his son, to Belfast in the turbulent year of 1976, the stories and poems featured in this anthology touch on the sense of displacement that stems from migration, detachment and rapidly shifting social identities. The individual works stand proudly by themselves to leave a lasting impression, and when read together they emerge to form a diverse, soulful and evocative collection that will charm and inspire.' From the Foreword by Catherine Dunne and Federica Sgaggio: ‘All writing is an act of translation – the translation of experience into words, into image and metaphor. The fifteen writers whose work forms this anthology take displacement as their theme and their writing is a rich mix of poetry and prose, their approaches as diverse as the writers themselves.’
Here are the Irish writers, and many Italian writers, taking part in an experimental sound performance in Sant' Agata dei Goti, Italy in June 2014, at Palazzo Rainore Mustilli. We all read what we wanted until we were brought to a spectacular close by the wonderful Seán Hardie. Good times :)
The Italo-Irish Literature Exchange made national
Italian TV last night... including our spontaneous improvised group
jam. We're about 18 mins in. Link here.
Aula magna del complesso di Santa Caterina in the University, Bologna
Our day 7 blogger is Noel Monahan
Monday 9th June - evening event & Tuesday 7th June, morning and home
Mia, Afric, Valerie and Noel at Via de Poeti, Bologna
Sounds of Words/I Suoni della
Parola is the final event of the Italo- Irish Literature
Exchange 2014. It is hot and the evening sun is relentless. Instinctively, we
head for the water-hole outside the Aula Magna, Rita pours cool glasses of
water for us and we are informed Bologna University is the oldest in the world.
The hall inside reeks of final examinations going all the
way back to the twelfth century.
Refreshments before the reading, Afric tucks in
The programme for this evening is
presented differently. On every chair you find a paper-wallet full of
information relating to the Irish and Italian writers and poets. I am taken by
its presentation, the detail right down to green ribbon. By now we are familiar
with the proceedings, the translations are ready to go, the running order is
set, Tanya, the interpreter leans over and the sounds of words ring out in
Italian, English, Irish and Roman dialect.
Writers Silvia Secco, Afric McGlinchey, Gino Scatasta, Alessandro Dall'Olio and William Wall
Questions and answers at the end of
the readings lead to a lively exchange of ideas on education and the role of
the poet. Back at 77, the Italian Writers’ watering-hole, we drink beer, wine,
nibble on cheese, bread, prosciutto … They are a lively bunch and there is real
integration. We should stay in contact with 77.
Liz Kirwan and Valerie Bistany
Not only do we talk about
DISPLACEMENT, we live it. We get lost on the way back to the Ospitalita.
Tuesday we return home. Last minute shopping and we head to the airport. Back
in Dublin, I run off with someone’s ham, wine .. and think it’s the after-shave
I bought for the boys. What was that theme again? DISPLACEMENT.
Our interpreter Tanya, with all of us and Grupo 77, the Italian wrtiers we read with, outside 77 Wine Bar
Since
this is the final report on the trip I feel I should comment on the generosity
of spirit of all. We hardly knew each other at the beginning. I certainly feel I
was enriched by the experience. Our thanks to Valerie and The Irish Writers’
Centre for making it all happen. When will we meet up?
Our Day 6 blogger is Nuala Ní Chonchúir Monday 9th June
The day started with us leaving lovely Lugo and three of our party taking the wrong train and ending up in a town called Wethorse - in Italian, 'Bagnocavallo'. Luckily, the side-tour to Bagnacavallo took all of 10 minutes and the trio (yes, I confess, I was one of them) were safely on the Bologna train before long.
Nuala and Valerie, trying to make pasta sensuously
We just had time to drop our bags at our final accommodation for the trip, the Collegio San Tommaso, before we were collected by Rita Mattioli, who walked us through beautiful Bologna (with a stop-off at a market for cheese, cherries and peaches) to her home.
The adorable Rita
There she made her family bolognese (minced pork and beef, sausage, wine, onions, celery, carrot, garlic, rock salt, pepper) and fed us organic red wine. Rita left the bolognese cooking in its clay pot, quoting Neapolitan poet Eduardo de Filippo: 'Now we have to leave the ragu alone, he has to think.' She then taught us how to make tortelloni and tagliatelle, and had us dancing to sultry music while we made our own pasta dough. Rita urged Afric to make her 'soul take fire' as she kneaded the dough. We laughed and danced and made passable pasta.
Rita makes magic with tagliatelle
Our tortelloni, which we stuffed with ricotta, parmesan, nutmeg and parsley, looked a little sad but they tasted fine when we sat in Rita's beautiful dining room afterwards to eat lunch, sip organic prosecco and gorge on cherry cobbler and homemade ice-cream. Life is hard in bella Bologna :)
Our funny looking tortelloni
Hungry writers waiting for lunch
The day was book-ended with stray writers: we got lost in Bologna that night after our event, but I will leave it to Noel Monahan to recount that particular adventure.
Travelling
between Bologna and Lugo in 35C, in an un-air-conditioned local train,
we began to think longingly for the first time of the cool of an Irish
day, and this song came to mind. It's very famous in Italy and indicates
the love affair between the Italian people and the Irish landscape,
which they see as a kind of antithesis of theirs:
Daniele
Serafini
We
were met at the Lugo railway station by the poet and translator Daniele
Serafini, who had organised our reading there. Lugo, is a small town by
Italian standards, but still manages to have a medieval citadel and
renaissance-period porticoes, an ancient open-air market, and a hotel
with exhibitions of political cartoons and a literary programme that
many an Irish arts centre would envy. We had dinner that evening, at the
invitation of the City Council, under the porticoes in glorious shade,
eating typical local food and drinking Sangiovese, and afterwards read
at Caffe Letterario.
William Wall reading in Lugo at the Caffe Letterario
It was the evening of a
closely-contested local election, taken much more seriously in Italy
than Ireland perhaps because local councils have real power, and they
were worried that there would be a small turnout, but they needn't have
been. Afterwards, in a bar in the mediaeval castle, the Italians
anxiously awaited the results of the final count. Just before midnight
word came that the candidate of choice of the literary and artistic side
of the city had won and after that we simply had to go celebrating the
victory.
A local woman in traditional dress
The piazza was busy and noisy, crowds milled around the PD/SEL
headquarters, sparkling wine in every glass, cheering and clapping. At
one point the owner of the caffe next door handed out glasses saying,
'I've found the glasses but I can't find the wine'. The new mayor, a
young man of 29, was introduced to the 'Irish delegation'. He looked
dazed. I doubt he'll remember a few random Irish writers, but it was
good to be there to see it. The atmosphere was electric in the piazza. I
don't know where the losing candidate's supporters were, but it seemed
like a sea of happy faces.
It was our
second-last reading. Onwards tomorrow to Bologna and the oldest
university in the world, the Alma Mater of all Alma Maters.
Caffe Gambrinus coffee break in Napoli - Sean Hardie on the far right
Today
is our last day in the Mezzogiorno. So what better way to spend it than in the
glorious sprawl of Napoli, a place I love. Plenty awaited us in the New City (from
Neapolis, the original Greek name). Afric got photos of a demonstration that
might have been about workers’ rights – though it was hard to tell. Nuala
spotted shedloads of police, drummers and bluegrass musicians in the shopping
district. I came across some teenage kickboxers and a strange soprano singing on
the seafront.
Buskers on Via Chiaia
En route it was great to find out about the layered history of
Naples, its development and reconstruction under a who’s who list of famous
European rulers. We split up and I got lost somewhere on one of the hills,
appropriately enough for a literary exchange exploring the theme of
displacement. I felt like a character from a Richard Scarry illustrated book.
Mia's gattolina
Up one winding street, down another. I followed a zigzag of terraces up to the
ramparts where I made friends with a gattolina (Italian cat) who followed me
onto a desolate hilltop, bounded by wire fences, crumbling buildings, Keep Out
signs and graffiti promising murder by gunshot if you parked there. I looked
back: the gattolina had disappeared. Not a soul around, not even a mugger –
though it would have been the perfect place to play Rob the Silly Tourist. And
in that spark of dangerous solitude I had one of those odd, everlasting moments
of feeling utterly at home. Grazie, Napoli.
Now
it’s 5.20pm. Open Mic in half an hour. I’m going to try out my Italian &
read a translation – bit nervous but why not?
Friday June 6th - Sant' Agata dei Goti and Telese, Benevento
In
beautiful, medieval Sant' Agata – palazzos, jasmine, bougainvillea, marble
floors, the perfect setting for a film set – and there is a film being made
here right now! – eating al fresco on a terrazzo overlooking a dramatic
escarpment, wine. Day 3
starts with another blue sky, sunshine, and breakfast at the Palazzo Rainone-Mustilli.
The talented writing students of Telese
Then a mini-bus to the Telesi Institute di Istruziane Superiore, where some
students perform their work. Mia responds with an extract from one of her
stories. Some students who run a journal ask us questions: whether Liz’s
political career influences her work, and if she feels compelled to write with
socio-political awareness. Liz replies that as we are all political citizens,
she feels as free as anyone else to write what she wants. Translation is
discussed, and Nuala says in her opinion, translation from Irish to English
isalways going to leave some nuance
out, and the best you can hope for is a version of the original, rather than a translation.
Noel and Afric listen to one of Sean's wonderful stories on the terrazza at Café Miro
We have an alfresco lunch back at Sant’Agata, overlooking the escarpment, accompanied
by an orange tabby, treated afterwards to a cherry cognac by the cafe owner. On
the way back to our private apartment (part of the palazzo), I pause to watch a
film crew shoot the scene of a period film. The locals are out in full force, hopeful
teenage girls in all their finery.
Gaja Cenciarelli & Federica Sgaggio read at the festival
At 6pm, it’s time for the ‘festival’ (as
it’s called here) highlight: readings by the Irish contingent anda number of Italian writers, including a
talented 15-year-old from this morning, with video addresses by Catherine Dunne
and a couple of absent writers. A great event, followed by dinner – numerous
courses of divine food, ending with fresh cherries. We have begun unbuttoning
and unzipping, and will clearly have to resort to treadmills when we get home!
A late night walk for some, to aid digestion. And now to bed, to dream of
Naples...
The proprietor of Café Miro gave us cherry liquor after our meal
